From the Tightrope Books booth at Word on the Street, Toronto.
The sound of the language is where it all begins. The test of a sentence is, Does it sound right? The basic elements of language are physical: the noise words make, the sounds and silences that make the rhythms marking their relationships. Both the meaning and the beauty of the writing depend on these sounds and rhythms. This is just as true of prose as it is of poetry, though the sound effects of prose are usually subtle and always irregular.
Most children enjoy the sound of language for its own sake. They wallow in repetitions and luscious word-sounds and the crunch and slither of onomatopoeia; they fall in love with musical or impressive words and use them in all the wrong places. Some writers keep this primal interest in and love for the sounds of language. Others “outgrow” their oral/aural sense of what they’re reading or writing. That’s a dead loss. An awareness of what your own writing sounds like is an essential skill for a writer. Fortunately it’s quite easy to cultivate, to learn or reawaken.
A good writer, like a good reader, has a mind’s ear. read more >
A Writing Lesson from Ursula K. Le Guin: In Pursuit of the Gorgeous Sound of Language